Showing posts with label Infinitus Artificium (3rd year final piece) DANCE RESEARCH. Show all posts
Showing posts with label Infinitus Artificium (3rd year final piece) DANCE RESEARCH. Show all posts
Thursday, 6 December 2012
Amelia La La La Human Steps
I have chosen this video to help me know exactly what camera angles are needed and what camera movements will show more power and emotion to my project. This has also helped with what lighting I might like and how I want this project staged.
I alsi love the background in this piece and i can use it as reference towards my projects background. I dont want a definant line displaying the depth of their environment but i want a shadowed indiction to give the viewer and understanding as to its depth. I alwso want the background to have a paper texture a bit like water colour and homemade paper to give it that organic and artistic feel.
I will also be using light in the section of fear and hope to help give off their emotion.
Monday, 3 December 2012
Norman McLaren Pas de Deux 1968 (infinitus artificium research)
This short film really inspired me, After a long discussion with others with how to make this project even better Norman McLaren was mentioned and after i researched his work i found this and beleive that it could be incredibly usefull to my project.
With this video i love the time lapse that is displayed by both female and male characters. I beleive this could go really well with the hope section as i was a bit stuck with it when i was creating the last animatic. I think that the time lapse idea could go really well with the movement and the emotion. It would be a nice change from the ink and charcoal trail.
The hope section will be done it 3d so we will have to do a few tests to see how the time lapse idea looks!
Monday, 15 October 2012
Infinitus Artificium - research
FRICTIONS from BURAYAN on Vimeo.
Here is another example of the power of the animator when in comes to animating with the human figure in both live action and editing.
This is a beautiful use of stop motion and live action! How the character interacts with the animation and work with it as one whole piece.
Plexus dancing man animation from Colin Rozee on Vimeo.
I found this again to help the 3D artisits in my course understand that this doesnt have to be a 2d project, that they are able to put their 3D skills to the limit with this piece. As long as it looks organic and flows easily with the piece.
For instance i like this video but i dont think it would work well with the rest, However if you took and and animated the human form within it and have the lines depicting the angles of the dancer...that could look quite fun! and visually exciting.
Infinitus artificium - animation research.
Stateless - Ariel from FIELD on Vimeo.
This is a good example of the lines that the dancer can make whilst they are moving and helpfull towards the dancers for them to understand what an animator can actually do with the power of art when creating something from a dance. that there is literially no limit. The colour and line work in this is fluid and amazing.
Hopefully this will help 3D animators on my course realise this piece doesnt have to be just 2D
Thursday, 11 October 2012
Infinitus Artificium - Dance research
Tis a little raunchy but its a beautiful display of body movement and merging as one. Moulded as one, Flowing as one
Wednesday, 10 October 2012
Infinitus Artificium - Dance research
With this video i decided to pop it into my influence because i think its a good example of the anger/fear that the character to go through and a nice attachment to the two characters in their emotions and 'story' Which will then lead nicely to the hope side of the piece.
Tuesday, 9 October 2012
Rythmatic gynastics for movement research
Ive been looking into rythmatic gymnastics because ive come to the conclusion that they could help with researching into movement. The flexibility of the gymnasts and their ability to move across the screen in such beautiful bold yet fluid movement amazes me.
Ive mostly looked into the use of the ribbons and the use of the balls because I think that when they use these specific objects their bodies are a lot more flexible and agile.
The ribbons help me in getting to grips with the line of motion and the movement.
By tracing the path of the ribbon i believe it could help in some of the animation and some of the art styles. you can pretend the ribbon is the path of the body or part of the body, for instance the arm, leg, head etc.
The ball makes the body more curved and flexible by the fact that they hold the ball within the crick of their leg or arm etc. its so fascinating to watch the move around and be so flexible
kind of makes you a bit depressed haha.
I think these videos could really help myself and the dance crew come up with some really artistic and beautiful stuff.
Ive mostly looked into the use of the ribbons and the use of the balls because I think that when they use these specific objects their bodies are a lot more flexible and agile.
The ribbons help me in getting to grips with the line of motion and the movement.
By tracing the path of the ribbon i believe it could help in some of the animation and some of the art styles. you can pretend the ribbon is the path of the body or part of the body, for instance the arm, leg, head etc.
The ball makes the body more curved and flexible by the fact that they hold the ball within the crick of their leg or arm etc. its so fascinating to watch the move around and be so flexible
kind of makes you a bit depressed haha.
I think these videos could really help myself and the dance crew come up with some really artistic and beautiful stuff.
Monday, 8 October 2012
Swan Lake by American Ballet Theatre in 2005
For an understanding towards the figure in movement I have been looking at some dance shows and videos, This in search for any particular movements, poses, lifts etc that have caught my eye and i think would look nice in the choreography.
I have gone through this video and taken down the times that show specific things which i enjoyed and liked.
Start
35:00 - Movement
35:10 - Movement
35:50 - Emotion portrayed/story
36:51 - introduction to 3rd character. How they move arund each other and display emotion
Couple
44:43 - starts
45:00 - Movement / pose / pushing back
45:31 - Movement / pose
45:49 - Movement / pose
46:35 - Movement / pose
47:38 - Movement / pose / lift
48:46 - Movement / pose / lift
49:06 - Movement / pose
49:29 - Pose
50:00 - Pose
51:00 - Movement / pose
Single
55:50 - Whole sequence
56:57 - Jump / Pose
57:50 - Movement
58:05 - Movement
1:22:46 - Lift and movement
1:23:08 - Lift and Movement
1:26:10 - entrance of black swan - Whole sequence
1:28:29 - Movement
1:41:10 - Love / Farewell scene
Arden Court
Looking into the movement of the bodies, both female and male in contempory dance.
0:20 - jump / pose
0:45 - jump / pose
0:56 - movement
1:06 - jump / pose
1:20 - lift / movement
1:30 - girl movement
2:02 - pose
2:20 - movement
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